By steinberg is a virtual instrument audio plugin. Steinberg Cubase Elements Windows XP compatible; Fixes various small issues and has optimized performance; New features: Save programs and Libro nuevo o. Solucionario de Elementos Finitos 1. Cruci Fiction In Space Live steinberg halion sonic mediafire steinberg hypersonic 1 The typical desaster came as predicted: Wavelab 5 does not work, Steinberg does not provide It functions as a VST Plugin.
Product Version. Rar Jul 13, Xapdeployx V0 9 Zip.. Drumkit From Hell Tonight alive the other side album download rar - Side alive. Set 1: New Vst fx steinberg vst pack steinberg lm4 mark ii vsti. Celemony melodyne. Cycling 74 mode vsti rtas v. Buen finde! Techno oldskooleros aca le dejo un track de mi proximo EP, mantiene la base de la vieja escuela con algunos elementos de la nueva.
Feedback, bievenido!. Para los seguidores del viejo y querido uplifting oldskool, abri un channel en youtube con los temas que hago estoy subiendo algunas producciones mias de a poquito. En mi proyecto personal abarco otros estilos afuera del techno que es lo que hago habitualmente.
Las tuve a las 2 y hoy no se justifica. Clubbers :: Soundcloud. Dejo el mio actualizado Hay 80's nu disko, downtempo, house y trance. En fin, olmedo tenia razon cuando se pegaba un tiro en las bolas.. No es que se sintio un ladri. Algun break para hacer el pasito bombo y bombo..
De ultima si tenes un gran amigo adentro de un label te van a hacer un rework kilombero y el track orginal va a ser de relleno. Entonces no es que se sienta ladri. Tambien hay que ver si le da la capacidad, para hacer temas grasas. No es tan facil, ES tan o mas complicado que hacer buena musica.
Fedex con todos mis respetos, pero no puedo estar con vos. Si un musico ya no tiene la suficiente creatividad para hacer algo distinto por limitarse al estilo o la velocidad estamos fritos!!!. NO hablo del trance especificamente. Creo que justamente el TRANCE al dejarte laburar la parte musical muchisimo mas que cualquier otro genero, hay mas posibilidades.
Tampoco tiene que ser ultracomplex! Nadie, es mas barato usar un VSTi con bancos de presets que sentarse una tarde a ensayar. Antes sacar un disco a la calle implicaba un costo altisimo, hoy no!. Clubbers :: Entrevista a Claudia Cazacu jue dic Le das zoom y esta rota. Clubbers :: El Remix de Cristina Kirchner lun nov Y eso es una sola rama, ni entre al Newbeat, Industrial o Ambient. Mucho Micky Vainilla. Gente linda es la que se viste en Kevingston, o La Coste?.
El problema esta, que contrantan malabaristas de circo con el perdon de la palabra a los malabaristas como Djs. Gente que se regala, o bien ganan por otros lados, donde la importancia musical esta en un quinto plano. Yo creo que si haces un after con artistas buenos del pais, gente que antes tocaba y hoy dejo de tocar gracias a estos ladris, va a ir la misma gente, pero a escuchar otra propuesta.
O crees que los que ibamos al Pantheon, Ave Porco, eramos todos rubios y de ojos celestes?. Principalmente porque la Urban groove nacio sin copiar un concepto, habia muy buen criterio musical, los pendejos de hoy en dia tocan temas de charts y quieren parecer al idolo top Dj Mag, eso antes no pasaba para nada; y el que pretendia eso no llegaba a nada.
Quien quedo de la vieja escuela? Btw, tiene unas tetas barbaras jajajaj. Btw2, se parte x 4. Entonces viene una modelo y te saca el lugar por mas que sea club one, JODE.
Yo no me voy a poner a desfilar. BTW esta que se parte la vieja y la hija se parte x2. Las reparaciones se las hice yo cambio de pila , limpieza y ademas lo pase a v porque el mio era Creo que el floppy se consigue afuera, es un drive de baja densidad k.
Yo creo que de la manera que uno refleja sus sentimientos en una obra, el egoismo desaparece, de lo contrario estaria oculto en nuestros pensamientos. Quien no esta contento que la obra de uno le guste o no?. Para mi siempre hay un target. Todo es valido, siempre y cuando sea propio. Leo siempre en desacuerdo con vos! Si lo calmas, agregas una linea de hihat mas fuerte, o un pad es para crear diferentes climas. Estas transmitiendo tu sentimiento o lo que tenes ganas de hacer con esa obra.
No hay instrumentos, exceptuando el sampler que dispara el audio. Clubbers :: Renaissance al borde de la quiebra jue sep Un dj no pone musica con Pendrive, compra discos. Un sello invierte en artistas y contenido, no invierte en mierda. Entonces hay poco y lo poco que hay se vende. No habria tantos DJ's sin talento tampoco. Lo que logro la tecnologia es sumar cantidad de artistas y producciones mediocres. La pirateria y mediocridad de los productores. Richie, no innovo en nada, pero si es muy bueno en lo que hace.
O hacia. Aunque un pibito llamado "StockHausen" :P lo catalogo de "bobo" a Richie practicamente. El arte se convierte en arte cuando un artista lo ejecuta. Si vos gritas y le pones un bombo en negra con un hat, sos un boludo de youtube, no sos artista. El artista se convierte cuando varias personas concuerdan con su obra y el mensaje fue transmitido correctamente.
En todo caso podemos hablar de complejidad musical. Para mi es lo mismo 4 progresiones que 1 sola. Clubbers :: Es un disco tranqui.. El bonus track, se morfo a Jarre, seguramente le quedo un tick desde que hizo Oxygene. Excelente disco, quiero tener tiempo para escucharlo mejor. Si pfirter hace techno entonces Natalia Oreiro es productora de drum and bass.
OJALA fuera el Chris de American Madness, todo lo que escuche es medio retorcido y raro, nada que ver al camion acoplado que era antes. Si le pedis que sea palero udolph voy, para anteojitos no.
Clubbers :: DJ Camila Diaz detenida mar ago Esta demasiado "rara" o "amarilla" la nota, no explican en que caracter y como detuvieron a Camila, asi que yo me guardaria cualquier tipo de comentario.
Tampoco Camila Diaz es una DJ de altorenombre en el circuito, es un laburante mas, no es ni Cattaneo o Ezequiel Dero para tener que ponerla en primer plano. Y pastis no me parece una cantidad significante, ni en valor monetario. Hay grupos de gente que compra esa cantidad o mas y se la reparten y les dura menos de un mes. Suena a que alguien tenia que caer y buscaron a alguien de turno.
A mi me termino cansando x la falta de respeto y la bronca que tenian ciertas personas que se dirigian a mi y a otros colegas!. No me molesta el newbie, pero si el puterio total.
Una lastima porque parte de mi vida la compartia con Uds desde que nacio Baliens creo!. Y hoy x hoy, ya me desacostumbre entrar al foro y participar. Creo q a todos les paso lo mismo. Quiero reconocer que hice muy buenas amistades, gracias al foro conoci al otro gaucho junkielover , carlos shaw, edu, a mintaka, utopia, premini, pato, leonel, iojan, dante, mariano goren, karol navotka y una lista interminable. Gente decente honesta y con muy buena onda.
Nos seguimos. Prolekut prolekut 90's! No me gusta ni un poco. El techno de estos tipos, era violento y mala onda, oscuro y sonaba a maquina. Ahora todo el techno suena a ableton y reaktor y a chris liebning si si se me fue abajo un idolo o es directamente techhouse. Clubbers :: Argentina House Mafia vie may Sobre la gente preparada, tambien estoy de acuerdo. Ya sea con 1 estilo o en otro, pero laburan y son profesionales en su trabajo. El otro mejor ni hablo.
Quizas a algunos no les guste ni dero, ni haydar, ni callegari ni sgalia, pero dentro de su palo son laburadores con decadas encima. El house nacio en chicago y tuvo sus variantes en new york, miami, san francisco.
Ahi termino. Eso es el verdadero House. Despues se fue a Inglaterra, Francia, Alemania e hicieron cualquier cosa. El house es bombo , negra cantando, dub o instrumental, violines, bajos moog's, rhodes, guitarritas. Ninguno de los que nombraron toca House realmente. Tampoco los crucifico a "la AHM" asi como dijo le!
Se fijaron a que publico esta dirigido?. No esta mal, es su publico, no tiene nada de malo, quizas lo unico que esta equivocado es estar este thread en este foro. Trata de probar si tenes otra interfaz midi alguna otra salida. Queres algo copado y barato? Vendiendo la en usd como regalandola, te queda por poner usd arriba.
Te la super recomiendo, mas que nada por el presupuesto y es una placa que no te va a dejar a pie. Eso depende de vos y la cantidad de mics que dispongas y como la quieras microfonear. Pero con 8 in's te da la tranquiliad de meter la bata, el bajo en una sola toma derecho.
Pensandolo bien la opcion mas seria y por los Pre's ya incluidos seria la HD va todo derecho Fire y es estable!. Y el resto de los votos parecen por amiguismo, ya que va rotando pero veo lo mismos nombres, ojo no estoy culpando a nadie, pero yo tengo muchos amigos aca en el foro y por mi parte no veo esos votos de usuarios nuevos. Creo que tendrian que reevaluar el tema de la votacion y que lo haga la misma productora. A mi me da lo mismo tocar o no tocar, pero este tipo de cosas ya me quitan las ganas de participar en esto y con ganas de retirarme del mismo.
Sorry, pero creo que somos todos grandes y pelear por tocar en un evento entre amigos o insultar en cierta forma "no me gusto para nada tu set", es bastante bajon, no pasa ni en el mundo profesional; entre profesionales y colegas hay siempre respeto y menos hacer fraude con el sistema de los usuarios nuevos, es poco serio. No me voten si no les gusta mi set, voten por el talento de cada uno de los integrantes!.
Pero participen! El adat es incomodo, es grande para transportar, aunque te sirve tambien para grabar algo en vivo sin depender de la Pc. Fedex y en general a los que escucharon mi set. Me falto aclarar cuando puse mi SET, el concepto del mismo.
El set era algo que me encargaron a pedido para manejar una discoteca y eventos, y querian escuchar diferentes estilos mios. Pero en este momento no dispongo de los medios suficientes estoy de mudanza para grabar algo acorde a las circunstancias y era lo unico que tenia en mis medios para poder participar.
Solo queria participar y lo unico que pueden llevarse del set quizas es la tecnica, y como va llevandose, no pretendia una coherencia o concepto artistico en el mismo. Me falto aclararlo, porque es bueno que lo tengan en cuenta a la hora de evaluar. Gracias por la buena onda y participar de todo esto.
Grosa fiesta se nos viene. Ale Llermanos. Si muchos usuarios nuevos. Clubbers :: Control de drogas ya nadie se salva jue abr Me hicieron una multa por estacionar en una avenida donde no se puede. Pero un mes antes, en el mismo lugar me robaron la rueda del auto y me salio PESOS y estaba a media cuadra de la comisaria!..
O sea, hay control para estacionar mal, pero no para ver como te afanan la rueda?. Y si estuviste mal toda una noche llorando, porque se te murio un familiar, van a gastar 20 dolares haciendo el test porque tenes los ojos mal?. Cualquier sustancia puede dar positiva me parece quedando en el organismo.
Tambien tendrian que multar a los peatones que cruzan en la mitad de la calle. De lo contrario va haber bandejas 's o solo cds? Clubbers :: Trance Top mar abr Me faltaron muchos, pero porque sera que es todo anterior al ? Escuche todas las promos y comparto; tienen un excelente nivel. Ale llermanos. Chicos necesitan algo de la barra?. Disculpen si me fui de las reglas, lo pueden quitar!
Aunque sea agredezco el tiempo de escucha! Veo si preparo algo! Clubbers :: Se Solicita Exorcista! Si adrenna a mi tambien me parece divertido los videos, no soy un amargado. Simplemente pienso en el fondo de las cosas como se desvirtuo la tecnologia, los medios.
En mi caso la verdad me molesta bastante que se desaproveche hoy Internet con este tipo de contenidos, pudiendo utilizarse en otras cosas mas productivas, o ahorrar energia. No soy un moralista ni quiero tener el ego alto o cagar mas alto que los demas por lo que lei abajo. Pienso las cosas de otra forma con otro foco, no quiere decir que yo tenga la razon tampoco.
No estoy crucificando a nadie. Yo tambien bailo como loco, y me divierto en una fiesta tanto o mas que esas personas. Si es gracioso todo lo que quieras, lo ves a diario en el boliche. Todo bien! De que sirve tener una sociedad donde la diversion pasa con este tipo de cosas sin sentido. Si el foro se va a utilizar para reirse de un barrilete, que nos queda como sociedad. Disculpen si ofendi a alguien. La sociedad esta muy agresiva. Obvio no me gusta el publico de ahora, pero yo no soy quien para andar filtrando.
Es el equivalente del pibe de gorrita. Mientras no lo jodan a uno. Piensen que sin ese publico, el boliche no factura y no pueden traer la artistica. El publico general del palo no gasta plata en el boliche. Estos tipos se gastan , , mangos en una noche.
Van Buuren jue mar No es raro que trabaje X o Y en un disco, como si fuera un disco convencional no electronico. Y estaba medio bajon de no poder haber asistido a Carl Craig a State. Ni bien subio, los primeros 30 minutos dije, puta madre, otra noche que la voy a pasar mal.
No era necesario esa porqueria de Electro?? Para mi tenia que haber arrancado directamente con lo que hizo durante toda la noche. Tecnicamente impecable, solo se le corrio un toque un tema. Creo que fue uno de los pocos artistas que dejo hasta la 7. Me fui demasiado satisfecho musicalmente. Espero q exista un equivalente en TECHNO a lo que hizo lawrence ayer, una noche que para los fuimos quedara presente por largo tiempo. PD: Me mata las remeras de manga larga que usa Christo son unicas!
Antes que nada yo en ningun momento dije que PVD era un artista malo, al contrario lo pongo como uno de los pilares junto a otros artistas. Sobre lo que posteas, el primer video si es un concierto, pero eso no fue en el GK, aunque el merito ahi lo tiene el sector de cuerdas, lo que hace PVD es recontra elemental y el resto esta grabado, si no estudiaste piano no podes opinar.
En el seguno video, es mas de lo mismo, solo tempo, lo mismo hace DJ SHAH aunque este si es bien ladri , toca una frase pero esa frase la tiene pre grabada, si fuiste a Privilege o B1 cuando toco, te das cuenta, que toca los mismo que ya tiene pre grabado. Ta bien para la gente que no sabe de musica es un SHOW, para mi no lo es. Con respecto a la tecnica, PVD nunca se destaco tocando vinilos con una perfecta tecnica, es una desgracia para el genero en si trance, si queres te explico tecnicamente porque, por ej, J00F es un artista de puta madre, pero mezclando es un desastre.
Igualmente un artista TRANCE ya sea quien sea, lo que menos importa es como mezcla un tema con el otro, ya que mucha importancia no tiene, el mambo pasa por otro lado, como en otros generos como Techno o Drum and Bass que si importa el skill tecnico del DJ. En los 90's, los fuertes pilares del Trance. En todas las producciones ibas a encontrar poliritmia asegurada, donde el trance se fusionaba muchisimo con los break's, de ahi tenes las mejores producciones de PVD, Another Way, Flaming June el juego que hace con la percusion en el remix de Curve, pero bueno.
Es un tipo recontra culto y estudiado. Es uno de los tantos grosos que le queda a la electronica. PVD es un groso nadie lo discute, porque si vos le preguntas a el si lo de el es un concierto te va a decir que no. Si a vos te parece que tocar 1 nota en un teclado para disparar un event en el Live es ser concertista, entonces por tocar el boton de potencia 3 de la licuadora sos cheff?. Perdon pero no concuerdo. Primeramente, no voy a criticar lo que hizo PVD, porque sono muy bien y fue impecable.
Pero de ahi a un concierto, estamos muy lejos. Concierto hace State, London Electricity ok?. Muy pero muy lejos, eso no es un concierto para nada. Solo improviso algunas lineas arriba de una pista a buen tempo, pero nada mas. Y meter un tema otro ya warpeado, incluyendo saltear de un tema a otro ES muchisimo mas facil con una computadora que con otra cosa. Hacerlo con vinilos es re jugado y ahi esta la tecnica del DJ, cosa que PVD nunca se destaco, mezclando con vinilos siempre la pifiaba, escuchar set's del 99 y hablamos.
Pero tampoco pueden hacer una nota de una escena electronica, cuando no la hay. Dejo de existir hace un monton de tiempo si es que alguna vez existio. Lo que hoy tenemos, es discotecas donde se pone algo diferente al rock y lo tropical. En realidad da lo mismo si ponen musica electronica o reggaeton, si es Pacha, Molier o Fantastico Bailable. Podrian hacer una nota sobre los artistas de musica local. Pero si el escandalo. Y es lo que el publico quiere hablar. Y si me arriesgo, la gente va a querer entrar gratis, o porque la NU generation no lo conoce, no va..
Las drogas existieron siempre, en el morocco todo el mundo estaba puesto y en las Raves de Parque Sarmiento tambien. El alcohol esta presente siempre, desde hace siglos. Que diferencia hay entre tomarte un litro de JB en tu casa y fumarse un mixto en una discoteca?. Me parece que estamos re intolerantes. Nadie en la secundaria cantaba y le cambiaba la letra a las canciones, O en los actos del colegio?. Por mas que esten puestos o no, prefiero ver la gente sonreir y no pegandose. El feedback es necesario tanto para el amateur como para el profesional.
Clubbers :: Cristifield Espero poder explicarte y que me entiendas, ya que es mas facil mostrarlo en pantalla que describirlo. Igual ahora no tengo el estudio armado, pero cuando lo arme de nuevo en mi nueva locacion si queres venite y te explco mejor : la linea de inicial cuando arranca a los 0. La Audiorealism la pase por el A6. Todas las lineas acidas tienen un poco de camara directamente de la mesa yamaha.
No es una reverb precisa ni de mucha calidad, pero para fines practicos va re bien. Para resumir. En realidad antes de crear una cancion me siento en el piano, armo una progresion de acordes, y empiezo a tocar sobre eso. Cuando me cerro la idea, la escribo a papel para no olvidarme y cuando tengo tiempo voy al DAW y transcribo todo.
El piano que hace de arpegio es el primer preset del M3 que me gusta mucho como suena, es un piano de "dance" clasico.
El piano que hace de introduccion a la melodia principal es el M3 con una mezcla del Akoustik piano por eso suena como doblado!.
El piano de la melodia principal, es el Akoustik Piano. Hay un trabajo bastante pesado de laburo de camaras, para poder meterlo en la mezcla, ya que hay pads en el medio!. La idea era que quedara hipnotico pero a su vez haga de Lead principal, eso solo lo podia conseguir con tanto quilombo en el medio poniendole una camara bastante precisa.
Hay libros sobre sintesis, pero como todo aca solo sirve estar horas y horas quemandose el bocho, y utilizar todas las herramientas que tengas disponibles. No hace falta tener equipos sino ganas de hacer musica, y no clavarse con 1 sola herramienta. Si te aconsejo estudiar mucha armonia, y otros generos musicales. A mi lo que me encanta del trance o pseudo trance como este estilo, es que puedo laburar mucho la parte de sintesis y armonia cosa que en otros generos me veo mas limitado.
Cualquier cosa que quieras preguntarme, no hay drama Abrazo! Muchisimas gracias por el feedback chicos, es el mejor premio que uno puede tener!.
Con respecto al Virus, salvo el arpegio principal, las diferentes voces estan procesados con diferentes cosas. El virus es un software muy potente a la hora de programar, pero hay que trabajarlo mucho para hacerlo sonar bien que no sea preset de soundbank.
No es nada que no se pueda hacer con otro software. Saludos y gracias. Clubbers :: [Promo] Reeva - Set Enero '10 lun ene Para los que tengan cuenta en facebook. A new tikitaka trip for teh nu dance flor. Los mates con biscochitos los trajo edgardo.. All mixes are great! Big Support" Hernan Mehes "Never supported, i play drum and bass, why you send me this shit? I'll play it! Totalmente offtopic pablito r.
Lo unico como gente honesta, si es que te consideras, acordate quien les dio una mano cuando Uds. Asi que no hables al pedo, cosas que te pueden dejar mal parado. No voy a entrar en detalles. No es mi forma de proceder. Todos con el mismo concepto, macbook un controller y anteojos. No hay que tener absolutamente nada, ni skill, solo tiempo al pedo para promocionarte.
Si sos RRPP o llevas trolas a una discoteca mejor aun. Antes habia que ponerse con plata fuerte para tener un disco en la calle, y entre los colegas habia envidia de bateas y quien tenia mas skill las famosas batallas , nadie te cedia una cabina si no eras bueno.
My overall thoughts on the Native Instruments Rickenbacker are that the plug-in is exceptional. For the price, I think is a very reasonable selection for producers looking for some solid basses. The only downside here is that Kontakt is very CPU intensive. Check out my favorite tablets for production in this guide where I tested out a bunch of different popular options. This is the free version of a really great plugin that I recently had the pleasure of using. The thing to note is that this plugin only goes do to drop D.
With this being said, you will be able to get a great sounding bass for free, so this is a big win in my book. Before purchasing a bass guitar plugin, I feel like this is a great option to check out in terms of sound. In simple terms: they are virtual instruments that you download that sound like bass guitars. You can try out a bunch of different parts and sounds real easily this way. You can be a great bassist and still find a use for these VSTs as there are so many different ways you can use them.
Dynamics: You want to find something that has proper dynamics in the sound. The plug-in should be able to have different sounds when struck harder or softer. Tone: The tone should be realistic. There should be a lot of different effects and basses that you can pick from within the plug-in so you can mix it up.
Bass refers to all different low-end sounds, whereas, a bass guitar simply emulates bass guitars only. I hope this guide helped you with some new options. Drag to the left or right. The project cursor follows the mouse pointer and the audio is played back. The speed and pitch of the playback depends on how fast you move the pointer. Editing parts and events This section describes techniques for editing in the Project window.
If not explicitly stated, all descriptions apply to both events and parts, even though we use the term event for convenience. When you are using the tools for editing parts and events, you can in. On the following pages, the default modifier keys are described, but you can customize these if needed. This is done in the Preferences dialog on the Editing Tool Modifiers page see page Selecting events.
Selecting events is done using any of the following methods: Use the Arrow tool. The standard selection techniques apply. Use the Select submenu on the Edit menu.
Deselects all events. Selects all events that are partly or wholly between the left and right locator. Selects all events that begin to the left of the project cursor. Selects all events that end to the right of the project cursor. All on Selected Tracks Selects all events on the selected track. These two functions are only used for range selection editing see page Select all events on a track by right-clicking in its Track list and selecting Select All Events from the pop-up menu that appears.
You can also use the arrow keys on the computer keyboard, to select the closest event to the left, right, above or below. If you press [Shift] and use the arrow keys, the current selection will be kept, allowing you to select several events. If the option Auto Select Events under Cursor is activated in the Preferences dialog Editing page , all events currently touched by the project cursor are automatically selected.
This can be helpful when rearranging your project, since it allows you to select whole sections on all tracks simply by moving the project cursor. It is also possible to select ranges, regardless of the event and track boundaries. This is done using the Range Selection tool see page To move events in the Project window, use any of the following methods: Click and drag to a new position. All selected events will be moved, maintaining their relative positions. You can only drag events to tracks of the same type.
If Snap is activated, this determines to which positions you can move the events see page Note also, that you can restrict movement to be either horizontal or vertical only, by holding down [Ctrl] while dragging.
This helps you avoid accidentally moving events when you click on them in the Project window. You can adjust this delay with the Drag Delay setting in the Preferences dialog Editing page. Use the Move to functions on the Edit menu. The following functions are available: Function Move to Cursor Description Moves the selected event to the project cursor position.
If there are several selected events on the same track, the first event will start at the Cursor, and the following will be lined up end-to-start after the first one.
Moves the selected events to their original positions, i. This function doesnt actually change the position of the events, but moves the selected events to the front or back, respectively. This is useful if you have overlapping events, and want to see one that is partially obscured. For audio events, this is an extra important feature, since only the visible sections of events will be played back.
Moving an obscured audio event to front or moving the obscuring event to back will allow you to hear the whole event on playback. Note that it is also possible to use the To Front function on the event context menu for this although this works in a different way, see page Select the event and edit the Start position in the info line. With this method, you can only move one event at a time. Events can be duplicated in the following ways: Hold down [Alt] and drag the event to a new position.
If Snap is activated, this determines to which positions you can copy the events see page That means if you drag an event vertically it can not be moved horizontally at the same time. This creates a shared copy of the part. If you edit the contents of a shared copy, all other shared copies of the same part are automatically edited in the same way. Shared copies are indicated by the part name in italics and an icon in the lower right corner of the part.
Note: When you duplicate audio events, the copies are always shared. This means that shared copies of audio events always refer to the same audio clip see page You can convert a shared copy to a real copy by selecting Convert to Real Copy from the Edit menu. This creates a new version of the clip that can be edited independently and adds this to the Pool. Note that no new files are created by this operation for that you need to use the Freeze Edits function see page Selecting Duplicate from the Edit menu creates a copy of the selected event and places it directly after the original.
If several events are selected, all of these are copied as one unit, maintaining the relative distance between the events. Selecting Repeat This works just like the Duplicate function, except that you can specify the number of copies. Selecting Fill Loop from the Edit menu creates a number of copies starting at the left locator and ending at the right locator.
The last copy is automatically shortened to end at the right locator position. You can cut or copy selected events, and paste them in again, using the functions on the Edit menu.
When you paste an event it is inserted on its original track, positioned so that its Snap point is aligned with the project cursor position. See page 94 for information about the Snap point.
If you use the Paste at Origin function, the event is pasted at its original position the position from which you cut or copied it. By default, audio events show the name of their clip, but you can enter a separate descriptive name for separate events if you like.
This is done by selecting the event and typing in a new name in the Description field in the info line. You can also give all events on a track the same name as the track by changing the track name, holding down a modifier key and pressing [Return]. You can split events in the Project window in the following ways: Click with the Scissors tool on the event you want to split. If Snap is activated, this determines the exact split position see page Select Split at Cursor from the Edit menu.
This splits the selected events at the position of the project cursor. If no events are selected, all events on all tracks that are intersected by the project cursor will be split. Select Split Loop from the Edit menu. This splits events on all tracks at the left and right locator positions. If the option is activated, the intersected notes will be split creating new notes at the beginning of the second part.
If it is deactivated, the notes will remain in the first part, but stick out after the end of the part. Clicking on an event with the Glue Tube tool glues it together with the next event on the track. The result is a part containing the two events, with one exception: If you first split an event and then glue the two sections together again without moving or editing them first , they become a single event again.
In other words, gluing can create a single event if the two events are lined up end to start and play a continuous section of the same clip. Resizing events means to move their start or end positions individually.
In Cubase SX, there are three types of resizing: Resizing type Normal Sizing Description The contents of the event stay fixed, and the start or end point of the event is moved to reveal more or less of the contents. The contents follow the moved start or end of the event see the figure below.
The contents will be time stretched to fit the new event length see separate description on page To select one of the resizing modes, select the Arrow tool and then click again on the Arrow tool icon on the toolbar.
This opens a pop-up menu from which you can select one of the resizing mode options. The actual resizing is done by clicking and dragging the lower left or right corner of the event. If Snap is activated, the Snap value determines the resulting length see page However, you can resize unselected events in the same way just click and drag one of the lower corners.
If several events are selected, all will be resized in the same way. You can also resize events with the Scrub tool.
This works just the same as when resizing with the Arrow tool, but the audio under the pointer is played back scrubbed while you drag. If you want to resize a part and make its contents fit the new size, you should use this option. Click the Arrow icon on the toolbar and select the Sizing applies timestretch option from the pop-up menu. Point close to the end point of the part you want to stretch.
Click and drag left or right. When you move the mouse, a tooltip information shows the current mouse position and length of the part. Note that the snap value applies, as with any part operation. Release the mouse button. The part is stretched or compressed to fit the new length.
For MIDI parts, this means that the events are moved, so that the relative distance between events is maintained. For audio parts, this means that the events are moved, and that the referenced audio files are time stretched to fit the new length.
A dialog box shows the progress of the time stretch operation. You can adjust the quality settings for the time stretch algorithm on the Preferences page AudioTime Stretch Tool page. For more general information about time stretch, see page You can move the contents of an event or part without changing its position in the Project window. When sliding the contents of an audio event, you cannot slide past the.
If the event plays the whole clip, you cannot slide the audio at all. If you want to make sure you dont edit or move an event by accident, you can lock it.
Locking can affect one or any combination of the following properties: Lock Options Position Size Other Description If this is locked, the event cannot be moved. If this is locked, the event cannot be resized. If this is locked, all other editing of the event is disabled. This includes adjusting the fades and event volume, processing, etc. To specify which of these properties should be affected by the Lock function, use the Lock Event Attributes pop-up menu in the Preferences dialog Editing page.
To lock events, select them and select Lock The events will be locked according to the options specified in the Preferences dialog. You can adjust the lock options for a locked event by selecting it and selecting Lock This opens a dialog in which you can activate or deactivate the desired lock options.
To unlock an event turn off all lock options , select it and select Unlock from the Edit menu. It is also possible to lock a whole track, by clicking the padlock symbol in the Track list or in the Inspector. This disables all editing of all events on the track. You can Mute individual events in the Project window in the following way: To mute or unmute a single event, click on it with the Mute tool.
To mute several events, click on an unmuted event with the Mute tool, keep the mouse button pressed and drag the pointer over the desired events. All events touched by the Mute tool will be muted. To unmute several events, click on a muted event with the Mute tool, keep the mouse button pressed and drag the pointer over the desired events.
All events touched by the Mute tool will be unmuted. You can click in an empty area with the Mute tool and drag a selection rectangle around the events you want to mute or unmute. This changes the mute status of all events in the selection rectangle. If you hold down a modifier key when releasing the mouse button, you can force all events to be muted or unmuted, regardless of their previous status. The default modifier keys are [Shift] for mute and [Ctrl] for unmute.
You can mute events by selecting them and selecting Mute from the Edit menu. Similarly, you can unmute the selected events by selecting Unmute from the Edit menu.
If a single event is selected, you can also change its Mute status in the info line. Clicking the Solo S button for a track mutes all other tracks. Muted events can be edited as usual with the exception of adjusting fades , but are not played back. To remove an event from the Project window, use any of the following methods: Click on the event with the Eraser tool.
If you press [Alt], all following events on the same track will be deleted. As described in the Getting Started book, an audio event plays a section of an audio clip, which in turn refers to one or more audio files on the hard disk.
However, in some situations you may want to create a new file that consists only of the section played by the event. This is done with the function Bounce Selection on the Audio menu: 1.
Select one or several audio events. Set up fade in, fade out and event volume on the info line or using the volume handle as desired.
These settings will be applied to the new file. For details on fades and event volume, see page Select Bounce Selection from the Audio menu. You are asked whether you want to replace the selected event or not. If you click Replace, a new file is created, containing only the audio in the original event. A clip for the new file is added to the Pool, and the original event is replaced by a new event playing the new clip.
If you click No a new file is created and a clip for the new file is added to the Pool. The original event is not replaced. You can also apply the Bounce Selection function to an audio part.
In that case, the audio from all events in the part will be combined into a single audio file. If you choose Replace when asked, the part will be replaced with a single audio event playing a clip of the new file. Range editing Editing in the Project window isnt necessarily restricted to handling whole events and parts.
Creating a selection range. When the Range selection tool is selected, the Select submenu on the Edit menu has the following items for making selection ranges: Option All Description Makes a selection that covers all tracks, from the start of the project to the end as defined by the Length setting in the Project Setup dialog.
Removes the current selection range. Makes a selection between the left and right locator, on all tracks. Makes a selection on all tracks, from the start of the project to the project cursor.
Makes a selection on all tracks, from the project cursor to the end of the project. All on selected Tracks Only used for event selection see page Moves the left side of the current selection range to the project cursor position. Moves the right side of the current selection range to the project cursor position. Double clicking on an event with the Range Selection tool creates a selection range encompassing the event.
If you hold down [Shift] you can double click several events in a row, and the selection range will expand to encompass them all. You can adjust the size of a selection range in the following ways: By dragging its edges.
The pointer takes the shape of a double arrow when you move it over an edge of the selection range. By holding down [Shift] and clicking. The closest selection range edge will be moved to the position at which you clicked. As described above, selection ranges can cover several tracks. However, it is also possible to exclude tracks from a selection range: 1.
Create a selection range from the first to the last desired track. Press [Ctrl] and click in the selection range on the tracks you want to exclude from the selection. In the same manner, you can add a track to the selection range by [Ctrl]-clicking in the selection range area on the track.
Moving and duplicating. To move a selection range, click and drag it to a new position. This will move the contents of the selection range to the new position. If the range intersected events or parts, these will be split before moving, so that only the sections within the selection range are affected. To duplicate a selection range, hold down [Alt] and drag.
You can also use the Duplicate, Repeat and Fill Loop functions, just as when duplicating events see page These work differently to their related functions on the Edit menu: Function Cut Description Cuts out the data in the selection range and moves it to the Clipboard.
The selection range is replaced by empty track space in the Project window, meaning that events to the right of the range keep their positions. Copies the data in the selection range to the clipboard. Pastes the clipboard data at the start position and track of the current selection.
Existing events are not moved to make room for the pasted data. Pastes the clipboard data back at its original position. Cuts out the selection range and moves it to the Clipboard. Events to the right of the removed range are moved to the left to fill out the gap. Existing events are moved to make room for the pasted data.
Again, you can either use regular Delete or Delete Time: If you use the Delete function on the Edit menu or press [Backspace] , the data within the selection range is replaced by empty track space. Events to the right of the range keep their position. If you use Delete Time on the Edit menus Range submenu, the selection range is removed and events to the right are moved to the left to close up the gap.
On the Range submenu on the Edit menu, you will find three more range editing functions: Function Split Crop Description Splits any events or parts that are intersected by the selection range, at the positions of the selection range edges.
All events or parts that are partially within the selection range are cropped, that is, sections outside the selection range are removed. Events that are fully inside or outside the selection range are not affected. Inserts empty track space at the start of the selection range. The length of the inserted silence equals the length of the selection range.
Events to the right of the selection range start are moved to the right to make room. Events that are intersected by the selection range start are split, and the right section is moved to the right. Region operations Regions are sections within a clip, with various uses.
While regions are perhaps best created and edited in the Sample Editor see page , the following region functions are available on the Audio menu in the Project window: Function Event as Region Description This function is available when one or several audio events are selected. It creates a region in the corresponding clip, with the start and end position of the region determined by the start and end position of the event within the clip. This function is available if you have selected an audio event whose clip contains regions within the boundaries of the event.
The function will remove the original event and replace it with event s positioned and sized according to the Region s. Options Snap The Snap function helps you to find exact positions when editing in the Project window. It does this by restricting horizontal movement and positioning to certain positions. Operations affected by Snap include moving, duplicating, drawing, sizing, splitting, range selection, etc.
You turn Snap on or off by clicking the Snap icon in the toolbar. When you are moving audio events with Snap activated, it isnt necessarily the beginning of the event that is used as Snap position reference.
Instead, each audio event has a Snap Point, which you can set to a relevant position in the audio such as a downbeat, etc. The Snap Point is preferably set in the Sample Editor since it will allow for a higher degree of precision see page You can however also set the Snap Point directly in the Project Window, in the following way:. Select the event. Place the project cursor at the desired position within a selected audio event.
The Snap Point is set at the cursor position. In this mode, the Snap positions are set with the Grid pop-up menu to the right. The options depend on the format selected for the ruler. For example, if the ruler is set to show bars and beats, the grid can be set to bars, beats or the quantize value set with the next pop-up menu to the right. If a time- or frame-based ruler format is selected, the grid popup menu will contain time- or frame-based grid options, etc. In this mode, the start and end positions of other events and parts become magnetic.
This means that if you drag an event to a position near the start or end of another event, it is automatically aligned with the start or end of the other event. For audio events, the position of the Snap point is also magnetic see page Note that this includes marker events on the marker track. This allows you to snap events to marker positions, and vice versa. Shuffle mode is useful when you want to change the order of adjacent events. If you have two adjacent events and drag the first one to the right, past the second event, the two events will change places.
When this mode is selected, the project cursor becomes magnetic. Dragging an event near the cursor causes the event to be aligned with the cursor position.
This is a combination of the Events and Magnetic Cursor snap modes. Snap to Zero Crossing When this option is activated in the Preferences dialog Audio page , all audio edits are done at zero crossings positions in the audio where the amplitude is zero. This helps you to avoid pops and clicks which might otherwise be caused by sudden amplitude changes.
This setting is global for all windows in all open projects. It is also avail-. When this option is activated, the waveform display will scroll during playback, keeping the project cursor visible in the window. If the option Stationary Cursors is activated in the Preferences dialog Transport page , the project cursor will be positioned in the middle of the screen if possible.
Just as the name implies, a folder track is a folder that contains other tracks. Moving tracks into a folder is a way to structure and organize tracks in the Project window. For example, grouping several tracks in a folder track makes it possible for you to hide tracks thus giving you more working space on the screen.
You can solo and mute several tracks in a quicker and easier way, and perform editing on several tracks as one entity. Folder tracks can contain any type of track including other folder tracks. Using folders Creating a folder track Folder tracks are created just like any other track: Select Add Track from the Project menu and select Folder from the submenu that appears.
Moving tracks into a folder You can move any type of track into a folder by using drag and drop: 1. In the Track List, click on a track that you want to move into a folder, and drag it onto a folder track. A green arrow pointing to a folder appears when you drag the track onto the folder track in the list. The track is now placed in the folder track, and all parts and events on the track will be represented by a corresponding folder part see page , that displays a graphical representation of all parts and events in the folder.
Since you can move any type of track into a folder track, it is possible to create sub-folders by moving one folder track into another.
This is called nesting. For example, you could have a folder containing all the vocals in a project, and each vocal part could have a nested folder containing all the takes, in a subfolder for easier handling etc. Removing tracks from a folder To remove a track from a folder, simply drag it out of the folder and release it in the Track list.
Hidden tracks are still played back as usual. When a folder is closed this way, the folder part s still give you a graphic representation of the parts and events within the folder.
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